Widely acclaimed by the contemporaries as well as the critics as, “the poet of Destiny”, Christopher Ifekandu Okigbo (1930-1967) strived hard as an assertive Nigerian poet, to establish an independent Biafra, through his poetry. Okigbo was a distinguished poet of post-colonial Africa in English dialect and a precocious twentieth -century writer. The poet’s zeal to revolutionize the logical perspective of the society towards freedom of culture, civil rights and liberty, protection of property and human life were indicated through his marked references, traumas and recreations in “the events of the day” which accumulated towards vigorous involvement directly into Biafran war. The societal changes, political and identity crises in addition to the absence of a capable leadership were the driving factors among the other social changes which led the poet to immediately engage into the Biafran war eventually costing his life (August 1967). Okigbo’s poetry were pertaining to the serious concerns of the society and its probable solutions, and his perspective of a poet adopting a romantic poetry was “not a human but ordinary artist divinely inspired, performer owned by uncovering the facts were hidden for the soul, and through which is subject to the influence of human renewal and spiritual rebirth. The poet, in the romantic tradition, jobs single-handedly as priest, prophet, legislator and for mankind, and a man speaking to other men with the voice of moral authority through the promotion of increased sensitivity, a man imbued with an understanding of the suffering of the soul, a kind of god. The main purpose of this paper is to focus on Okigbo’s intentions depicted in his poem concerning the varied cultural perspectives, his imaginations arising poetical myths (mythopoeic), the incorporation of his ritual austerity into poetic praxis, his skilful blend of poetic approaches belonging to global traditions and most of all his outlook of the events both in his imagination and as experiences reflected are analysed. In addition, the social and political concern of the poet is also explored from the last sections of his final sequence of poems published as “Path of Thunder”, the swan song “Elegy to Alto” which is an emotional precise prediction of the deterioration of the African governance of the post-colonial period into a well -planned heist. Christopher Okigbo’s poems instigate its readers to critically introspect against all the barriers, to attain the principles of an open, free and self-assured community. Therefore, this paper intends to critically review the socio-political significance and also analyse the technique and poetic style of the poet. There are no previous diligent efforts to critically analyse the socio-political importance implanted in poetic monologue and thus the significant poetic contribution for a social revolution have not been capitalized. Hence, this paper will investigate the manner in which the socio-political elements have been articulated by Christopher Okigbo in his compositions.