Rhythm is the pace and tempo of a film. Every rhythm may present a particular conflict. But the viewer is seldom aware of this conflict. Conflicts form the base for all artistic work, but it has various forms for every expression. Rhythm shows particular importance in two areas of artistic expression: Film and literature. Besides differences, the rhythm in the literature and that in the cinema show important similarities. Rhythm means conflict; as every artistic work has its particular rhythm, it has its particular conflictual base too. This is a basic principle of existence of all artistic work and of all artistic forms. The pace of the rhythm can be manipulated deliberately to fasten or to slow down the progress of the conflict. In the case of the cinema, it is related with the tendency to aim an emotional effect or only action. Apart from this, it is of particular importance for creation of cinematic meaning. Briefly, it can be said that rhythm makes order which can be seen best in the structuring of the cinema. Directors and film theorists alike have their various views on the issue. Some of them may have a very rigid commitment to rhythm while others may form the rhythm without a clear intention. The rhythm is the leading one of all the factors affecting the forming of the cinema. There are a lot of factors of production and postproduction like the script, the camera movements and the focal length, shooting in general, dissolves and other features of the cut, light, sound, color composition, cinematic time etc.. Rhythm adds tempo and pace to a film, and as high the tempo of a film is, as much it appeals to the taste of the average audience. Briefly, rhythm is an indispensable element in every stage of the cinema product. In this study aims the rhythm on the short films that we consulted will be examined.